Return to Index
"Our Republic and its press will rise or fall together. An able, disinterested, public-spirited press, with trained intelligence to know the right and courage to do it, can preserve that public virtue without which popular government is a sham and a mockery. A cynical, mercenary, demagogic press will produce in time a people as base as itself. The power to mould the future of the Republic will be in the hands of the journalists of future generations."    Joseph Pulitzer
 
Luis Elizondo Speaks at the MUFON Symposium 
 
Those attending this year's MUFON Symposium in Cherry Hill, NJ (across the river from Philadelphia) will have the opportunity to hear in person Luis Elizondo, main spokesperson for the To the Stars of Academy of Arts and ScienceMr. Elizondo's appearance was recently announced on MUFON TV.

PRG highly recommends attending the 2018 Symposium. Much is happening.
2018 MUFON Symposium will be Live Streamed 
Surprise!!! UK Badly Wanted UFO Technology 
 
PRG tips its hat to the legendary Dr. David Clarke for a great get. This story has yet to hit the U.S., but it will. UFO's were of "no significance" but the UK was desperately trying to acquire one in order to get the technology. I guess the U.S. was not in a giving frame of mind regarding its retrieved ET tech. Even the mighty The Times deemed the story worthy of its attention. Are you starting to see a pattern yet?
Dr. Hal Puthoff Speaks at the SSE/IRVA Event
 
There has been another development in the unfolding initiative of the To the Stars Academy of Arts and Science (TTS/AAS). Dr. Hal Puthoff rarely speaks publicly about his work on a range of exotic projects. June 8, 2018 in Las Vegas marked an exception to this policy when he spoke at a joint conference of the Society for Scientific Exploration (SSE) and the International Remote Viewing Association (IRVA). Puthoff's background is quite extraordinary and is summarized on the TTS/AAS website as follows:
 

Dr. Harold E. Puthoff is the co-founder and Vice President of Science and Technology of TTS Academy. Since 1985, Dr. Puthoff has served as President and CEO of EarthTech International, Inc. (ETI), and Director of the Institute for Advanced Studies at Austin (IASA). He has published numerous papers on electron-beam devices, lasers and space propulsion and has patents issued in the laser, communications, and energy fields. 


Dr. Puthoff's professional background spans more than five decades of research at General Electric, Sperry, the National Security Agency, Stanford University and SRI International. Dr. Puthoff regularly advises NASA , the Department of Defense and intelligence communities, corporations and foundations on leading-edge technologies and future technology trends. He earned his Ph.D. from Stanford University in 1967 and won a Who's Who Lifetime Achievement in 2017 that recognizes individuals that have achieved greatness in their industry and have excelled in their field for at least 20 years.


In his address to the SSE/IRVA conference Puthoff became the third member of the TTS/AAS team to publicly discuss the FLIR video released to and published by the New York Times on December 16, 2017. As with Christopher Mellon and Luis Elizondo, he made it quite clear the advanced aerospace object was not of human design without saying it was of extraterrestrial origin.


This is in keeping with TTS/AAS's strategy to advance the Disclosure process without breaking any non-disclosure agreements, releasing any classified documents or directly stating, let alone confirming the phenomena extraterrestrial in origin. This approach was likely a condition for receiving clearance - from whom we do not know - to proceed with the project.
 

PRG has reviewed all the interviews of and statements by TTS/AAS team members, and this is the message PRG is hearing:
We're Not Saying It's Extraterrestrial
But It's Extraterrestrial

A full transcript of Dr. Puthoff's remarks along with Q&A can be found in the DisclosureWire Blog.
The Extraordinary Contact of Robert Llimos
 
During my visit to Barcelona in June I had the great pleasure to meet a fine artist. In the living area of his huge three story studio in central Barcelona this modest and humble man told me a story of contact unlike any I had heard, and I have heard many. I listened very carefully and asked many questions. For me, there is no doubt whatsoever this story is true.  

Robert Llimos was born in Barcelona, Spain in 1943 and has had a lengthy career as a painter and sculptor that began at the end of the sixties with the Nueva Figuración (1965-1968). Between 1969-1973 he went through a period of conceptual experimentation to then return to figurative painting, placing a great emphasis on color. His work has been the object of solo exhibitions in the Museum Bochum, Germany (1994), Galería Alejandro Sales, Barcelona (2009); Fundació Vila Casas, Barcelona (2010). Amongst his group exhibitions highlights are his unofficial participation in the Kassel Documenta 5 and, in that same year, the Encuentros of Pamplona. He has participated in group exhibitions in institutions such as; the Museo del Barrio, New York (1976 and 1978); the Fundació Miró, Barcelona (1979, 1983 and 1992); the Museu d'Art Contemporani de Barcelona (1996, 1997, 2005); the Museo Reina Sofía, Madrid (2004, 2009) and the Fundació Suñol, Barcelona (2010), among many others. In 1994, the Generalitat de Catalonia awarded him the Premi de Arts Plàsticas. In Barcelona some of his public sculptures can be seen, among them: Marc (1997) in the Olympic Village and Mirastels (2006) a floating sculpture in the port of Barcelona.

In short, Mr. Llimós is a highly accomplished artist of considerable skill and range. His career was rich with praise and interest from collectors throughout Europe. And then something extraordinary happened that changed his life for ever. Here is how Robert describes this event. (Translated from Spanish)
 
"In 2009, on a trip to Fortaleza, Brazil, I went for a walk looking for inspiration from the landscape. Its mounds of sand dunes rose to the horizon, stood by four trees against a cloudy sky, a spectacular scenery. To my surprise, there was a UFO, half camouflaged by clouds. Here we are, I thought, they exist for real! They are in front of me, I have a notebook and a pencil in my hand, this is my chance, I have a new image!
 
My senses were absorbing everything that was being presented to me, and I began to draw what I was seeing. Lights, lines and the camouflage effect of the spaceship with fogs and clouds. With my eyes on the paper, I realized that lights began to project over me. I was being scanned. I looked at the spaceship, and I saw an open glass window and inside its yellow interior, there were two beings that were observing me, a man and a woman, both with very long necks and scaly skin. The woman had a tiara on her head and a long dress, the man a jacket, showing an archaic and noble look. I think that two or three hours passed, too long for just ten notes, ten drawings in pencil without getting into the characters, although I keep their very presence in my memories.

Back in Barcelona, I started painting fast and intensively, as I had an exhibition and wanted to introduce this new theme. The exhibition was organized by Alejandro Sales Gallery, its title was Contact, and was due to open on October 1, 2009. When Veronica Soto, one of the several journalists that came to the show, called me to thank me for the interview, our conversation was interrupted by little voices and sharp breaths. They were not mechanical interference. There were pauses and feelings, but totally incomprehensible. We both agreed that they were thanking us for disclosing their existence. This happened to me a total of five times during the exhibition.
 
Everyone asks me why this experience happened to me. I know it's strange, and it still remains strange to me, but I think it´s because I can explain graphically, and they have chosen to show themselves in an illustrative form, without sensational stories, fictions or cinematography that frightens the society. Thanks to the different painting techniques I mastered, I was able to capture the experience, which has changed my way of seeing art and life, in a more precise manner. Painting is a valid method to capture these images that have never been represented before, let alone photography of this theme.

I think interpreting this contact has led me to an answer of the sculpture Miraestels, which I have in the port of Barcelona. It protects the sea while looking up to the sky for help. I have always thought it would serve to contact with the beyond and finally it has. I hope this "big brother" will help us clean up this world and make it a better place to live in."
 
The dunes Robert had visited to do some drawing were about two kilometers from the sea. Clouds had rolled in and the massive ship emerged from behind a large cloud bank and hovered before Robert close to the ground perhaps no more than a few hundred feet away. 
 
His answers to my questions indicated he lost between one to two hours of time, has no memories of being on the ship and has only been regressed once by a television show seeking ratings. The regression was unprofessional and done in a chaotic environment of cameras and journalists. Nothing was learned.
 
Consequently I am making queries to arrange proper regression sessions for Mr. Llimos in order to find out what may have happened during the missing time lost that day in the dunes in Brazil. One can only imagine what he might create from such reclaimed memories. 
 
There is a reason I have taken an active interest in this case - something I rarely do. Robert Llimos became obsessed with his powerful experience and for the past ten years has exclusively devoted his artistic talents to depicting that experience in paintings and sculpture. He has created some extraordinary work, and he has become persona non grata in the art world. 
 
He was candid about his contact experience and shared the details with artists, agents and friends. As soon as possible after the event he did a gallery showing. Then the agents drifted away, buyers became scarce as did gallery showings. Spain is a conservative country that has gone along with the U.S. instigated truth embargo. The skittish art world was not comfortable with all things extraterrestrial - not the least being the idea of contact. Nevertheless, Robert Llimos would not relent. His work continues.
 
Based on his account and answers to my questions I think his contact was a one-off event with a ship with portals for viewing. There is much similarity between his experience and that of Betty and Barney Hill. The beings portrayed are unlike any I am aware of from the contact literature. The ship is of a type that is rarely seen. If any readers are aware of similar accounts, please direct me to relevant links.

 
Robert Llimos is 74 and tired. It has been a difficult ten years for this proud man whose father was also a fine artist - such a legacy. So, it was with great pleasure that I was able to bring to his attention many of the recent developments. There was something he needed to know.
 
The list of highly skilled artists with long and accomplished careers who have had an extraterrestrial contact experience is not long. And the list of those who have created a huge body of work based upon that contact is shorter still. The art world may have turned its back on the last ten years of Robert Llimos' work, but I have this question for all to consider.
 
How much do you think the contact art of Robert Llimos (and all his previous works) will be valued after the United States and Russia and China and France and, yes, Spain have confirmed the extraterrestrial presence engaging the human race - Disclosure? Care to put a number to that?
 
Stephen Bassett
Los Angeles, CA
July 4, 2018
 
[Note the location of the artist in front of the craft.]
Artist Doug Auld Has Published His New Website
 
PRG supporter and prolific artist, Doug Auld, has published his new website. It is featured here because Doug has done an extensive series of portraits that include men and women dealing with the extraterrestrial phenomena issues. He is the only artist to do such a series, and it is very powerful.
World UFO Day vs. World Disclosure Day

 
July 2 was World UFO Day. Much effort has gone into promoting this day and it gets a lot of press. All good. However, with all respect to World UFO Day, it hasn't been about UFO's for some time. It's about extraterrestrials and Disclosure. World Disclosure Day is July 8, and these two dates share a common origin. WDD doesn't get as much media attention now, but that will change in due time.
Upcoming PRG Speaking Events
Upcoming PRG Media Interviews
 
On the Odd w/ Mark Jeacoma
July (podcast)
 
Kingdom of Nye w/ Heather Wade
LNM Network
Saturday, July 20, 9:30 pm PDT
 
Midnight in the Desert w/ David Schrader      Dark Matter Radio
Monday, July 23, 9 pm PT
 
Starseed Radio Academy w/ Lavandar          Blog Talk Radio
Tuesday, Sept. 4, 2018, 4 pm PT
 
Night Dreams Talk Radio w/ Gary Anderson Tue, July 10, 8 pm PT
 
Martian Revelation Show w/ Gary Leggiere                 LNM Network
Sunday, July 21, 2018, 9 pm PDT
 
The UFO Show
Wednesday, August 8, 6 pm PT
 
Other Upcoming Conferences
 
A complete list of upcoming conference is found HERE.
PRG YouTube Channel
 
PRG's YouTube Channel Playlists has increased to 952 video/audio clips on the politics of Disclosure, evidence, witnesses, conferences, and more - most directly or indirectly related to PRG's advocacy work. Scores of X-Conference lectures have been added.
Support PRG's Disclosure Advocacy Work
 
IMPORTANT: PRG needs a major funder now to step forward and provide the resources to keep the pressure on the media and to reach out to other nations. Getting Disclosure done is now more important than ever. We must not let up during this time of political chaos. Contribute at GoFundMe or HERE.
Paradigm Research Group
PRG International | 202-215-8344 | prg@paradigmresearchgroup.org | 
 www.paradigmresearchgroup.org
STAY CONNECTED: